Spotlight: Incredibles 2

 

In what seems to be becoming more of a trend, movies are getting sequels long after the original’s release, sometimes over a decade after.  The sequel to “Finding Nemo”, “Finding Dory” came out about thirteen years later.  “Independence Day” got a sequel twenty years later.  Hell, “Blade Runner 2049” came out over thirty years after the original (and still somehow managed to be amazing).  And the result of this trend has been fairly hit or miss.  Some sequels managed to succeed despite the distance in time from their predecessors, while others flop for multiple reasons, be it little interest in a sequel this many years later or just a sense of re-treading the same ground without adding anything new.

So with that in mind, “Incredibles 2” is the latest in this trend, coming out fourteen years later.  How does it stack up?

I have only vague memories of seeing the original “Incredibles” in theaters with my dad way back in the day.   And while I don’t remember much about the plot (it was fourteen years ago after all and I only saw it once), I remember liking it.  I remember it being a fun movie.  So when I went to see the sequel all these years later, I wasn’t exactly sure what to expect.  Sure, the movie had been receiving pretty much universal acclaim, but I’d been let down by that before.

In the end, I would say that “Incredibles 2” is a decent to good movie.  Nothing amazing or spectacular, but very solid.

I don’t think my reaction to it has all that much to do with the movie itself.  Sure, the plot is very predictable, to the point where I would have figured out the movie’s main plot twist long before I did if I hadn’t turned my brain off.  Sure, it doesn’t really do anything that we haven’t seen before.  But it has a lot of charm, and it’s a movie that can appeal to kids and adults alike without feeling patronizing.

Rather, I think it has more to do with the time it came out in.

One of the movie’s central conceits is this almost meta examination of the role that superheroes play.  After the introductory action sequence, we see them being yelled at by police for causing so much collateral damage, to the point where they argue that it would have been better if the heroes had simply done nothing.  And throughout the movie it’s making an argument about how the world needs superheroes, something which feels strangely dated especially after a decade of Marvel dominating the box office with its superhero movies.  It makes me wonder if the script for the movie was written way back when, shortly after the first film’s release.

And for me personally, as I’m sure I’ve mentioned before on this blog, I’m burned out on superhero movies.  There’s just so many of them and most of them feel identical to each other (this is particularly true for Marvel movies).  Part of the original “Incredibles” charm was that it came out at a time when superhero movies weren’t that big.  Sure there might be one every once in a while, but it’s still a far cry from today when it feels like there’s a superhero movie in theaters every other month.  I think if the sequel had come out just a couple of years or so after the first one, I might have been more receptive to it.

Again, it’s not a bad movie.  I just don’t think it’s that remarkable of one either.

 

Thanks for reading!  Check back on the third Wednesday of next month for another post, and as always, have a wonderful month.

You can like the Rumination on the Lake Facebook page here or follow me on Twitter here.

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Let’s Talk About Creative Risks

 

So it’s finally out…Episode 8.  “The Last Jedi”.  And fan reaction to it has been…well…all across the board.

There’s no denying that the movie is different.  It does not progress in the way you would expect a traditional Star Wars film to progress.  It does not do the things you would expect a normal Star Wars movie to do.  And some people loved it.  Other people hated it.  I found myself in the former category.  I liked it because it was different.  But some people didn’t, and that’s perfectly okay.

However, I do think it highlights the importance of taking creative risks every once in a while.

In North America, “The Last Jedi” opened with a box office of roughly 220 million dollars.  By contrast, “The Force Awakens” opened with 248 million.  I bring this up because I know some people are going to point to it and use it as proof that “The Last Jedi” is a weaker movie than “The Force Awakens”.  But that’s not really accurate.  The amount of hype surrounding this movie was unreal.  People were going to see it regardless.  It’s highly doubtful that the film’s quality or perceived lack thereof would have much of an impact.  They could have made a movie that mirrored “Empire Strikes Back” in the same way that “The Force Awakens” mirrored “A New Hope”, and it probably would have had a similar box office result.

On the contrary, I think that “The Last Jedi” being different is what will make it stand the test of time better than “The Force Awakens”.  That’s not to say the movie is perfect by any means.  “Last Jedi” certainly has its flaws.  But when compared to “Force Awakens”, “Last Jedi” feels like an actual progression of Star Wars rather than a nostalgic rehashing.

First off, the obvious: “Force Awakens” cribs from “A New Hope”…and it shows.  Many of the story beats are nearly identical, down to the “orphan on a desert planet” routine and the massive planet-destroying battle station.  I mean they even have a character call it the “Death Star 3”, to which another character essentially says “but this time it’s different because it’s a planet…see?”  There’s nothing like fake self-awareness as an attempt to cover up lazy writing.  And that’s to say nothing about Rey being almost impossibly good at everything, almost to the point of being a Mary Sue (an idealized or perfect fictional character that is often seen as a form of wish fulfillment).

In that sense, “Last Jedi” feels like the stronger movie because it isn’t bound by the relics of the past, but instead informed by them.  In some ways, it takes the tropes of Star Wars and turns them on their heads.  I hesitate to say any more for fear of spoilers, but it definitely does not follow the standard Star Wars format.  I don’t think “Force Awakens” is a bad movie, and I see why they had to make it the way they did, what with “A New Hope” being nearly forty years old.  But there’s a difference between using nostalgia to bolster a film and using it as a crutch.  “Force Awakens” tended toward the latter in my book.

If “Last Jedi” does end up performing better than “Force Awakens” (which it very well could), then it’ll stand as a testament to the value of taking risks, especially within an already established franchise.  Think of it this way: if Marvel had never taken the risk to try creating a massively interconnected cinematic universe, the way we see storytelling in movies wouldn’t have evolved the way it had.  Sure, nowadays Marvel movies often feel like factory regurgitations of the same old tropes, but at the time creating such an interconnected series of stories was unheard of.  And if anything, the stylized “Thor: Ragnarok” proved that taking risks can pay off, as the movie was one of the most well-liked comic book movies of this year.

Let me put it another way: remember the craze with alien invasion movies back in the early 2000’s?  Why do you think they eventually died out?  Because people got sick of seeing the same old characters, the same old stories.  It got too predictable and mundane.  We can only see so many movies about the undaunted human spirit triumphing in the face of superior alien technology before it becomes rote and dull.  In that sense, the main Star Wars series was due for something different.

Whether it pays off in the long run remains to be seen…

 

Thanks for reading.  Check back next Wednesday for a new post, and as always, have a wonderful week.

You can like the Rumination on the Lake Facebook page here or follow me on Twitter here.

Spotlight: The Defenders

Warning: spoilers for “The Defenders” and some of the other Netflix shows will follow.  Read at your own risk.

So it’s finally here…the event we’ve been waiting for.  “The Defenders” brings all four of the Netflix superheroes together so they can kick some butt.  And maybe throw bad guys through a building or two (I really gotta stop making that joke).  But the real question is, was it worth it?  Is “The Defenders” everything we hoped for?  Is it everything we wanted…nay…deserved?!

Well…yes and no.

But before we get into the nitty-gritty of the show, I wanted to point out a couple small details I appreciated.  After “Iron Fist” and its bland title sequence, I was glad to see they brought back the nuance for “The Defenders”.  During the title sequence, we see each of the four characters forms overlaid over aerial maps of New York.  Now, I can’t be certain considering I know basically nothing about New York, but I believe that each character is overlaid over the particular part of the city where they live and operate.

 

 

So Daredevil would have a part of Hell’s Kitchen while Luke Cage would be laid over Harlem.  But the detail in the title sequence goes beyond that even.  I didn’t really pick up on this until near the end of the first episode, but each character has a particular color associated with them, a color that you can see during the title sequence itself.  During the show, scenes that particular character dominates are color corrected to have an abundance of that character’s color.

 

So Luke Cage’s scenes have a yellow glow to them…

 

…while Matt Murdock/Daredevil’s scenes are full of vibrant red.

 

Jessica Jones has a deep blue, while Danny Rand is green.  This little detail takes to the sidelines once the characters finally start to meet up with each other, but it’s still a cool aspect of the show.  It’s not essential, but it’s these little things that fans love.

But anyway, on to the main event.  Like I said before, the answer to the question “was it worth the wait” is a little bit of a mixed bag.  The breakdown (at least for me) seemed to go like this: the first half of “The Defenders” is great while the second half gets a little sloppy.  I thoroughly enjoyed the first four episodes, watching as each of the heroes runs into their own problem to solve.  It was nice checking back in with these characters and seeing what they had been up to, although the first episode does spend more time on Luke Cage than anyone else.  Which makes sense, considering he was being carted off to jail at the end of the first season of his show, so they have to deal with that to get him back into place.

It was fun watching each of these characters do the thing they do best, with a slow buildup towards the inevitable meeting of the heroes.  The problem is that after these four characters meet and begrudgingly agree to work together, the show seems to lose a bit of momentum, as the next few episodes mostly feature the characters sitting around and debating their next move before the final showdown begins.

And it’s at this point that you realize just how weak Danny Rand is as a character when compared to the other three.

 

 

 

Now, to give some credit to the writers, they at least tried to give Danny a more interesting arc than just “I’m the Iron Fist…it is my destiny to destroy The Hand…blah blah blah”.  In the first episode, Danny has a nightmare about the apparent massacre of the people of K’un-Lun, showing that he feels guilty over leaving them.  The problem is that, after the first episode, this is never mentioned or referenced again.  In fact, Danny is played as more of a laughingstock than anything else, especially in the second half of the season.  Any time someone mentions that he’s the Iron Fist, everyone else in the room seems to have the same reaction of “the hell are you talking about?”  A good example of this would be when Murdock tells his friend Foggy that Danny’s the Iron Fist and Foggy remarks “I’m not even going to pretend I know what that means.”

I didn’t mind this approach at first, but the more I thought about it the more it bothered me.  You see, instead of trying to fix the flaws in Danny’s character they turned him into a literal joke.  The other characters pretty much just make fun of everything he says.  They took the lazy route and played Danny up for laughs instead of trying to make him feel deserving of a place on the team.  This is made all the more insulting once you realize that Danny is integral to the entire plot of the show.  The Hand needs him to complete their master plan.  Without him, their whole scheme falls apart.  In this sense, Danny feels less like a character and more like a maguffin, existing only to move the plot forward toward the inevitable battle against The Hand.

And speaking of The Hand, their big leader in this show is revealed to be a woman named Alexandra, played by none other than Sigourney Weaver.  Initially, I was excited to see her in this show, because Sigourney Weaver is a total badass.  Remember “Alien”?  Remember “Aliens”?  Yeah…total badass right?  But here she’s given very little to do aside from look imposing and make not so subtle references to the fact that she’s older than she appears, like when she calls Istanbul Constantinople.  She also has some very cringe worthy dialogue later on, even breaking out the “we’re the same, you and I” speech at one point.

 

Alexandra (Sigourney Weaver)

 

 

She is given a motivation though.  At the beginning of the show we are shown that she’s dying…all of her organs are systematically shutting down one by one.  This encourages her to push The Hand’s plan into fast-forward mode, despite the objections.  Because as it turns out, The Hand’s immortality revolves around a mysterious substance that they have run out of.  This bit didn’t make much sense to me, considering that we’ve seen people resurrect in the other shows without the help of this substance.  So why now do they suddenly need more of it?  Seems to me like another maguffin to get the plot where it needs to go.  Because, as it turns out, they used the last of this substance on Elektra.

Speaking of Elektra, what the hell is her motivation here anyways?  After her death at the end of the second season of “Daredevil”, Elektra is brought back to life by The Hand.  But her memory is erased so she can be turned into The Hand’s ultimate weapon.  Through some more not so subtle moments, we realize that this conditioning isn’t going to last forever, and that Elektra is starting to remember who she was.  But the thing is, once she remembers who she is, she still serves as an antagonist for no apparent reason.  If she remembers who she is, then why the hell would she be fighting against the man she supposedly loves?  It makes no sense.

And what’s so important about her being the “Black Sky” anyways?  Everyone goes on and on about it, but it’s never clearly explained what it actually means.

However, despite the flaws, “The Defenders” is a fun time.  The best scene is definitely the fight at the end of the third episode, where all four of the heroes come together for the first time and battle a bunch of The Hand’s henchmen.  But after that, the show starts going downhill.  It never gets to the point of being unwatchable, but through some strange plot choices and sloppy pacing, the second half definitely isn’t as strong.  I especially didn’t like the shenanigans they tried to pull in the last episode.  I won’t say much out of fear of spoiling it for those who haven’t watched it, but I will say this: they try to make you think that one thing happened, only to turn it around in the last thirty seconds of the show and be all like “ha we tricked you” even though most people will probably see it coming from a mile away.

At the very least, there isn’t any pointless filler.  Each episode moves things along the main plot.  So while it might not be everything we hoped for, it’s still well worth a watch, especially if you’ve gotten invested in the characters.

And now, if you’ll indulge me, I’m going to go on a more personal rant…

I really wish The Hand hadn’t been the villains for “The Defenders”.  It takes things to such a cheesy, comic book level that it’s hard to take seriously sometimes.  It’s a group of frickin’ immortal ninjas for crying out loud!  Part of the reason I really enjoyed these Netflix shows at first was because of how different they felt from the standard superhero fare.  The first season of “Daredevil” hardly feels like a superhero show at all.  It plays like a gritty crime drama but with a superhero twist.  But as time went on The Hand became more and more apparent as Marvel rushed things out the door in order to get them into place for “The Defenders”.

I would have liked to see the four heroes fight against a crime syndicate for their first outing together.  Now I know someone is going to say it…”but…The Hand is a crime syndicate”.  It is, but it’s still a crime syndicate of immortal ninjas.  I would have wanted to see them face off against regular criminals, not a bunch of silly mystical types who, despite all the hype over being super secretive, take some really obvious actions.

A whole army of ninjas clad in black rappelling up the side of a hospital?  Sure seems stealthy to me!

I think it would have been more interesting if, for example, Wilson Fisk had been exposed but not captured at the end of “Daredevil” season one.  He could then escape to run things from the shadows and give the heroes a threat to deal with when they finally came together.  And with the addition of Danny Rand, they could have started teasing the existence of a mysterious organization known as The Hand.  Then, after the four heroes came together and defeated Fisk once and for all, The Hand could step out of the shadows and reveal that they were manipulating Fisk the entire time.  That would then give The Defenders another threat looming over them as they go about their own business.  Because, with The Hand gone, there’s no bigger threat anymore, not to mention that Danny Rand’s character has no purpose anymore, since his whole thing revolved around The Hand’s defeat.  I can’t really see their next big villains standing up to a bunch of supernatural martial artists.

And with that, I’m off.  Blog writer AWAAAAAY!

 

Thanks for reading.  Check back next Wednesday for another post, and as always, have a wonderful week.

You can like the Rumination on the Lake Facebook page here or follow me on Twitter here.

Spotlight: “Iron Fist” Season One

Warning: spoilers for season one of “Iron Fist” follow.

…Oh boy……

Ever since “Iron Fist” premiered on Netflix back in March, it’s been panned by many critics.  It’s easily considered the worst of the Marvel Netflix shows and possibly even one of the worst shows on Netflix period.  The reception to it was so bad that Finn Jones, the actor who plays the main character in the show, blamed Donald Trump for the negative perception of the show.  According to him, because of the wide distrust of the president people can’t root for Danny Rand because he’s a white billionaire superhero.

 

This is the appropriate reaction to what you just heard.

 

But I digress.  “Iron Fist” is currently sitting at a 37 on Metacritic and a 17% on Rotten Tomatoes.  Why?  Were critics just being unfair?  Was the show really made more for the fans like Finn Jones also suggested?  Or was there something else, a reason that the show was so negatively received?

Well, as it turns out, there was a reason.  You see, “Iron Fist” season one is boring.  Like, really boring.  I have to admit that I struggled watching through the entire thing.  That’s not to say that there aren’t good points to the show, but they’re faint pinpricks of light in an otherwise gloomy sea of tedium.

And the problem starts with Danny Rand himself.

Now, to be fair to Finn Jones, I don’t think he’s a bad actor.  He does a serviceable job here.  The main problem is the character.  But before we get into that, we have to give some backstory.  As a kid, Danny Rand was in a plane crash with his parents in the Himalayan mountains and was the only survivor.  After being rescued by a pair of mysterious monks, Danny spends his formative years in a place called K’un-Lun, a mystical monastery that is only accessible every fifteen years.  There he learns martial arts and gains the power of the Iron Fist, turning him into a mystical living weapon.  He returns to New York fifteen years after his supposed death and tries to reclaim the life he once had.

The thing is, Danny Rand is perfect…too perfect.  In fact, he’s so perfect he’s boring.  He spouts off Zen sayings left and right.  He’s in total control of his emotions (at least in the beginning).  And he’s practically unbeatable in a fight.  I mean he walks into the dojo of Colleen Wing (one of the side characters) and almost immediately schools her in martial arts.  It’s ridiculous.  And then later on, any time his company runs into a scandal, he always does the morally righteous thing.  And I mean always.  There’s nothing interesting about his character because there’s no flaws to his character.  At least, not until like three-quarters through the season when the writers suddenly decide that his guilt over the death of his parents clouds his judgement and renders him unable to summon the Iron Fist most of the time.  If this was implemented from the beginning of the season, that would be one thing.  But the way it just shows up later is jarring.

 

The impeccable Danny Rand.

 

Danny Rand reminds me of that stereotypical rich guy who constantly shares pictures of his vacations on Facebook or Instagram.  You know the type: you constantly see them posing in sun-bathed tropical locales or other exotic locations.   And they’re always spouting off life wisdom like they know that’s best for everyone else.

But enough about Danny.  What about all the side charac-

They’re boring.  Just…boring.  Aside from Colleen, the dojo teacher that becomes his love interest, none of the characters really have anything important or interesting going on (except for maybe Joy…I found some of her scenes to be kind of interesting).  I don’t care about the day-to-day business of the Rand corporation.  I don’t care about corporate backstabbing.  And I certainly don’t care about a boring subplot dealing with painkiller addiction.  Seriously, screw that noise.  It’s like the show is caught between being a bad superhero show and a bad soap opera.

And the pacing…oh god the pacing.  It’s so off.  Like I said before, the main problem with “Iron Fist” is that it’s just boring.  I hope you like martial arts poses because I swear that at least sixty percent of this show is people striking martial arts poses and talking about what they’re going to do next instead of, you know, actually doing it.

 

Who cares about plot when you can strike some sick poses brah?

 

Even the title sequence is boring.  “Daredevil”, “Jessica Jones”, and “Luke Cage” all had nuance in their title sequences that hinted at certain aspects of their characters or overall themes for the show.  What does “Iron Fist” have?  A silhouette of a man leaving inky trails all over the place as he strikes a bunch of poses.

 

Whoo…it’s so good guys. I’m not even being sarcastic…

 

And speaking of pacing, my god the show has no idea how to build or sustain momentum.  When the show isn’t being dull and full of people talking or striking poses, things seem to happen way too quickly.  For example, the end of the first episode has Danny being drugged by his former friends Joy and Ward Meachum, then being placed in a mental hospital.  And then he breaks out of the mental hospital at the end of the second episode.  Like…what?  This is the kind of stuff you do in the middle of the season, not at the beginning.  Not only that, but the show spends the first four episodes or so dealing with Danny trying to prove his identity.  And there isn’t even a real payoff to it.  The conflict is abruptly resolved and the people trying to keep Danny from getting back into the company are suddenly like “hey Danny we’re your friends again…we can just forget about that whole mental hospital thing right?”

There are so many little things with this show that I could complain about.  A villain becomes a not-villain only to suddenly become a villain again later on in the season.  The characters spend way too much time talking about duty and honor.  The last episode feels like it belongs in an entirely different season.  Certain things just happen without any real explanation (I still don’t understand how Danny suddenly winds up in a freaking penthouse after being kicked out of Colleen’s dojo).  Characters make decisions that don’t make any sense.

It’s a mess.  But if I keep going, this review will go on forever.

In the end, I feel like if the show had been done with a lighthearted tone, things probably would have worked out better.  The silly nature of Danny’s character and all the overemphasized martial arts combat doesn’t really blend well with the show’s dead serious tone.  But even if they did go for a lighter tone, then it just wouldn’t fit with the other shows.  Any way you slice it, “Iron Fist” just fails to deliver.

And yet, it was still Netflix’s most binge-watched drama.  Kinda sad when you think about it, but that’s the power of Marvel.  People will watch it regardless, especially because of how the stories are interconnected.

All I can say is that I hope “The Defenders” was worth it.  Because Marvel has seemed to be in a hurry to get that out the door for the past couple of years, and that has led to a decrease in quality for the Netflix shows.  The second season of “Daredevil” felt disjointed at times, with two major arcing plots that didn’t seem to mesh together well.  The second half of “Luke Cage” season one saw a complicated villain being swapped out for one that had very little depth and whose only motivation is revenge against Cage.  But clearly, “Iron Fist” was hit the worst.  There’s so much unnecessary subplot that could have been left out in favor of focusing on making Danny not suck as a character and giving him an origin story that’s actually enjoyable to watch.  But as it stands, “Iron Fist” season one is only worth watching for the connection to “The Defenders”.

If you watch it on its own hoping for a good standalone story, you’ll most likely end up disappointed.

 

But hey, at least there’s martial arts poses…right?

 

Thanks for reading.  Check back next Wednesday for a new post, and as always, have a wonderful week.

You can like the Rumination on the Lake Facebook page here or follow me on Twitter here.

Spotlight: “Jessica Jones” Season One

Warning: some spoilers for season one of “Jessica Jones” follow.

The Marvel Netflix shows are some of the most interesting takes on the Marvel Cinematic Universe (MCU for short).  They represent more grounded takes on a world that includes Norse gods and hulking green steroid monsters.  They represent a moral ambiguity that underscores a franchise typically full of characters whose main struggle is “I’m not powerful enough” before they discover “oh wait, yeah I am” and then promptly throw the bad guy through a building or two.

I’ve already talked about “Daredevil” season one and two.  “Daredevil” was the start of the Netflix shows, representing a darker, more nuanced superhero story.  And while season two started to collapse under the weight of its multiple plots, season one still represents some of the best Netflix has to offer.

So, going into it, I had no idea that “Jessica Jones” would feel so different.

Like “Daredevil”, “Jessica Jones” is dark, but even from the show’s title sequence you can tell its tone is different.  The opening sequence for “Daredevil” showed the world being filled in bit by bit, which was a representation of the main character’s unique perspective.  By contrast, the title sequence for “Jessica Jones” plays with shadows and silhouettes.  It features many shots of windows and perspectives that imply being watched or observed, which ties into Jones’ career as a private investigator.

 

A shot from the title sequence.

 

 

It was about midway through the first episode when it hit me: “Jessica Jones” is essentially a modern noir story.

The aspects of the show line up: a private investigator with a tragic past, a piano-heavy soundtrack underscored with hints of jazz, and voice-over narration done by Jessica herself.  I’m not familiar enough with the character or the comics she comes from to say for sure, but it feels to me like the show is steeped in that tradition.  At its core, “Jessica Jones” is still a superhero story, making the noir elements mere icing on the cake.  But it’s enough to give the show a unique style all its own amidst the other Marvel Netflix shows.

“Daredevil” season one was all about Matthew Murdock coming to terms with who he wanted to be as a hero and the lines he was willing to cross.  We followed him as he grew into the hero he needed to be.  By contrast, “Jessica Jones” keeps things from us and much of the season is about uncovering those parts of her past to better understand her as a person.  It becomes clear by the end of the first episode that Jessica tried the hero thing before and something went terribly wrong.  The bad times in her past are centered around a mysterious figure named “Kilgrave” who has the ability to control people’s minds.

Jessica is guarded and masks her feelings with sarcasm.  At the outset it seems that she’s done trying to play the hero, but she’s quickly drawn back in when a new client sets her on a collision course with her old nemesis, Kilgrave.

 

Jessica, brooding as always.

 

They could have easily pulled Jessica too far down the sarcastic, gloomy route and made her an unlikable protagonist.  But her sarcastic quips and grim worldview are punctuated by glimpses of a person who wants to believe better, who wants to do good.  During one of the episodes, we get flashbacks of Jessica before Kilgrave that show how she gradually comes to the realization that she wants to help people.  Even her job as a private investigator after the fact clues us in to her inclination for helping people, despite her outward attitude.  The show succeeds at bringing us into Jessica’s world and letting us learn who she is bit by bit.

One aspect of the show that worked better than I would have expected was the introduction of Luke Cage, another Netflix Marvel hero who was later given his own show.  I’ve talked before about the inter-connection of Marvel’s universe and how that could become a problem, but that isn’t the case here.  Rather, the inclusion of Luke Cage feels natural.  His past and Jessica’s intertwine, which is evident from the start when we see Jessica spying on him in the very first episode.  The progression of their relationship and how it ties in to the greater plot of the season is done very well here.  It never feels forced or added for the sake of tying it in to the larger Marvel universe.

Another aspect of the show I was surprised by was the villain, Kilgrave.

 

Kilgrave.

 

Played by David Tennant, Kilgrave is a very different beast from Wilson Fisk in “Daredevil”.  Fisk was a character who believed he was changing the city for the better, albeit through extreme and violent methods.  By contrast, Kilgrave has no such noble goals.  He’s selfish.  He’s vain.  He’s unhinged and positively psychotic.  And he has an unhealthy fixation on Jessica, especially considering she’s the only one who’s ever escaped from his control.  Tennant was a great choice for the character too, providing that charming yet unpredictable nature to the character and making him a memorable villain.

That being said, I found it strange that they decided to not reveal his face until near the end of the third episode.  Anyone who knows David Tennant or has seen him in other shows will be able to tell that it’s him from the moment he says anything, so waiting on that reveal just seems a little pointless.  Even the pre-release stories for “Jessica Jones” had already confirmed David Tennant would be playing him.

All that being said, Kilgrave is a great villain and provides a very personal adversary for Jessica to face.  But not everything is perfect with the first season.

I’ve mentioned before how “Daredevil” season one decides to refer to the day when literal aliens invaded and blew up half the city in the first “Avengers” movie simply as “The Incident”.  It’s a weird, out-of-place choice that almost feels like they’re trying to distance the Netflix shows from the movies because of their wildly different tones.  “The Incident” shows up again in Jessica Jones, this time in the form of a minor character (read: very minor…as in they only appear in one episode) who has grievances with super powered people because of losing someone during the siege of New York.  It ends up feeling forced and has no purpose other than being a red herring.

There’s also a subplot featuring a police officer Jessica saves early on in the show.  It’s revealed later on that he is part of a mysterious research group with a doctor that developed some kind of combat enhancement drug.  It comes out of nowhere with no real buildup and doesn’t resolve itself by the end of the season.  Rather, its whole purpose seems to be to tease a future plot, as very late in the season it’s revealed that this mysterious group may have ties to Jessica and how she got her powers.

And that’s another thing that bothered me with the season.  Early on, after Jessica learns that Luke has powers as well, they have a brief conversation about where they got them.  Luke tells her his came from an experiment and Jessica says hers were an “accident”.  For much of the season, I assumed Jessica knew exactly how she got her powers and it would be revealed later on.  But as it turns out, Jessica has no idea.  During the final episode, she has a line where she mentions that she looked into her past before but kept hitting dead ends.  But it isn’t until near the end of the season that there’s any hint of that.  So when she says “accident”, we’re not really clear what she means by that.

Despite these issues, “Jessica Jones” is well worth a watch.  The pacing takes a dip during the last few episodes and the final confrontation doesn’t feel as climactic it should be, but overall it’s another great entry into the Marvel Netflix shows.  Its style and tone are quite different from “Daredevil”, so if you go into it expecting a similar outing, you might find yourself surprised and put off at first.  But if you give it a chance, “Jessica Jones” provides you with a wonderfully deranged villain and a gripping personal story.

 

Thanks for reading!  Check back next Wednesday for another post, and as always, have a wonderful week!

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Spotlight: Daredevil Season Two

Warning: spoilers for Daredevil season one and two follow.

Season One of Netflix’s Daredevil was nothing short of amazing.  It was a dark, gritty superhero origin story that managed to weave an intricate plot with complex characters.  Even the villain, Wilson Fisk, was a well-rounded character who had a compelling reason for doing what he was doing.  Daredevil was the show that put Netflix originals on the map, the first one that everyone was talking about.  And for good reason.  It was a breath of fresh air in a genre that has commonly been full of cheeky, light-hearted stories.

It showed us a whole new side to the Marvel Cinematic Universe (MCU).

Coming off of season one, expectations for season two were sky-high.  Everyone wondered where they were going to go, what characters they were going to introduce.  Daredevil spent the entirety of the first season coming into his own as a superhero, so what conflict would season two bring to the table?  How would season two fare compared to the stellar season one?

Unfortunately, perhaps in part due to season one’s excellence, season two comes off as disappointing in a lot of ways.  That’s not to say season two is bad.  It’s still very much watchable, but compared to the first season it feels a little lopsided.

Let’s start at the beginning.  As season two opens, we get to see Daredevil doing his work, taking on crime in Hell’s Kitchen.  Matt Murdock (Daredevil’s true identity) is still trying to make it as a lawyer, and his friend Foggy Nelson is still coming to terms with the fact that Murdock is Daredevil.  At the start of the season, we are introduced to a new threat.  An apparent army of people is going around and killing off gang members in professional ambushes.  Murdock, Foggy, and Karen Page (their secretary whom they met in season one) take on a client who managed to survive one of the attacks.

Season two starts off great, following in the footsteps of season one.  If you know anything about what season two’s story is, you’ve likely guessed that the “army” doing the ambushing is really just the work of one man: Frank Castle, AKA The Punisher.  His reveal is great, as the shows spends almost the entire first episode teasing the danger of this new threat before dropping the revelation of “it’s just one guy”.  Immediately following that revelation we watch as The Punisher storms a hospital, looking to kill the client our main characters have taken on.

The Punisher serves as a foil to Daredevil’s character.  In many ways he’s the man Daredevil almost becomes in season one when he considers whether or not he’s willing to kill Wilson Fisk.  The Punisher challenges his notions of right and wrong.  Most of the third episode is Daredevil being chained to a rooftop arguing with The Punisher about the morality of being a vigilante.  There’s a fascinating difference between the two, and The Punisher is a great tragic character in his own right.

Unfortunately, after the excellent fourth episode (Penny and Dime), things start to go downhill.  The fourth episode almost feels like it could have been a season finale.  It’s epic, dramatic, and full of great character development.  But then, The Punisher is almost unceremoniously pushed to the sidelines for the introduction of another character: Elektra.  Compared to the epic reveal of The Punisher, Elektra’s introduction just comes across as silly.  She appears at the end of episode four in Murdock’s apartment, literally throwing a knife at him before basically saying “what’s up lover?”  And Daredevil reacts like he’s dealing with a freeloading college buddy who wants to crash on his couch.

I was never able to buy into his relationship with Elektra.  Considering how mild-mannered they made Murdock seem in season one, it just seems strange that he would so easily be swept off his feet by someone as frankly psychotic as her.  In the flashbacks detailing their former relationship, it takes her literally trying to make him kill someone before he starts having second thoughts.

And Elektra’s plot line is rather dull by comparison to The Punisher’s.  Once she shows up, the show devolves into Daredevil and Elektra running around to different places and beating up either Yakuza thugs or ninjas who are part of a mystical cult known as “The Hand”.  But despite all the action, very little actually happens during the middle part of the season aside from some pointless drama.  For some stupid reason, Murdock decides not to tell Karen or Foggy about Elektra, which just leads to a bunch of drama over him being late for court over and over again.  Of course, he eventually tells Foggy but it’s too late at that point.  Things start to fall apart and both Karen and Foggy harshly rebuke Murdock for his actions.  And not only that, but Elektra appears immediately after Murdock all but confesses romantic feelings toward Karen, which creates this barely touched on “love triangle” element.

Oh, and remember how I said I didn’t buy the fact that Murdock and Elektra got into a relationship?  That’s actually explained later in the season as being part of some plan, which leads to the groan-inducing “it started as a mission, but then I fell in love with you” line.  Some of the writing later on in the season feels so ham-fisted, which pales in comparison to the excellent first season.

And that’s part of the problem I think.  Season one was just so good that expectations for season two were through the roof.  Even so, the rough patches are hard to ignore.  The Punisher plot line, which in my opinion was the far more interesting one, doesn’t get nearly as much attention as the plot involving The Hand.  And while The Hand plot gets interesting later in the season when they start showing some of the weird, creepy stuff they’re doing, it still feels like a disservice to The Punisher.  In fact, The Punisher is relegated to the sidelines so hard that he literally shows up during the final fight sequence of the season just to snipe a few ninjas in the head and say “see you around”.

I really wish they would have devoted a whole season to The Punisher and then a whole season to The Hand (or the other way around) instead of trying to cram both of them into one season.  But I know why it ended up being that way.  The Hand is going to be the main enemy in The Defenders, which is a cross-over show featuring the four Netflix Marvel heroes teaming up.  And the first season of that show picks up a few months after Daredevil season two.

As I said, season two isn’t terrible or unwatchable.  It’s just disappointing because it could have been so much better.  Here’s hoping The Defenders will be worth it.

 

Thanks for reading!  Check back next Wednesday for another post, and as always, have a wonderful week!

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Unsustainable Connectivity: The Looming Problem of the Marvel Cinematic Universe

If you haven’t heard of Marvel or what they’ve been doing for the last eight or so years, you might think you’ve been living under a rock.  A large rock…blocking the entrance to a cave…on the surface of Mars.

Nearly a decade ago, Marvel kicked off a new age of superhero movies, making them cool and relevant again.  But more so than that, Marvel did something unprecedented.  While most of their movies have a self-contained storyline featuring a particular hero, they are all part of a larger narrative arc that takes shape over many movies, not just one.  And this isn’t just something that takes place over a small trilogy of movies.  No, dozens of movies take place within the same universe and almost all of them tie in together in some way.  You would think that asking audiences to follow this massive narrative would be an impossible task, but despite the overwhelming nature of it Marvel has found tremendous success.  And their success has influenced other studios as well.  The new Mummy movie with Tom Cruise is meant to be a reboot movie and an introduction to a larger universe of monsters from Universal movies.  Along with that, there is an upcoming King Kong movie (Kong: Skull Island) that will tie into a larger universe featuring the new Godzilla from the 2014 movie.

So Marvel’s success has definitely been influential and has changed the landscape of movie making.  And I must commend them for their success.  They have proven that it is indeed possible to build a larger narrative that extends beyond just one movie or one franchise, that is possible to bind several franchises together into one mega-franchise.  It’s an impressive feat.  However, it is not one without problems.

Let’s not beat around the bush here.  You’ve seen the title, so you have an idea of where I’m going with this.  While the Marvel Cinematic Universe (MCU for short) is an incredible accomplishment, it is starting to become unwieldy.  Nowadays to watch the latest Marvel movie it feels like you have to sit down and watch the five movie previous just to understand what is happening within the larger framework.  You might be able to follow the self-contained story, but there are often references to things that you might not understand because you’re not up to date.  I felt that way when I saw Avengers: Age of Ultron.  There were elements of the movie that I simply didn’t grasp because the movie didn’t bother explaining them.  It was assumed that I had watched the movies before it.  That’s why I initially thought the strange romantic relationship between Black Widow and Hulk was just something they established in another movie, although I later found out that it first appeared in Age of Ultron.

And there will always be that one person.  You know the one, the person that says “well if you read the comic books…”.  Yeah, that person.  Maybe you even are that person.  Whatever the case may be, assuming that a viewer has this backlog of lore from other movies can be dangerous and alienating if not handled properly.  Of course, with the internet this isn’t as big of a deal as it could have been, since interested fans can just go look up information that they’re missing online.

But the real problem seems to be the disconnect between the television shows and the movies, particularly the Netflix originals.  Before we get to that however, we need to take a look at a show that came out before the Netflix ones.

Agents of S.H.I.E.L.D. is a show centered around a group of special agents that investigate strange occurrences around the world.  It ties into the MCU in the sense that some of the episodes (as far as I know…I haven’t exactly watched the show) deal with the aftermath of events in the movies, such as Thor: Dark World.  The problem with Agents of S.H.I.E.L.D is that it features one of the more notable “cracks” in the continuity of the MCU.  Agent Phil Coulson was introduced in the original Iron Man and was killed off in the first Avengers movie.  But he was then brought back to life for Agents of S.H.I.E.L.D., a move that creates a strange sense of dissonance between the films and the shows, especially considering that Coulson’s death was instrumental in making sure the Avengers finally got their act together and worked as a team.  Coulson is never referenced again in the films, making it seem as though he’s dead in the films but alive in the television shows.  Which makes no sense, considering the shows and the movies are supposed to all be connected and part of the same universe.

But my biggest caveat about the MCU comes from the Netflix original shows such as Daredevil.

If you’ve seen any of the Marvel movies, you’ll know that they are goofy, light-hearted, heavy on explosions and over the top action.  But if you then go and watch one of the Netflix shows like Daredevil or Jessica Jones, the tone difference is so sharp that it might as well be part of a different universe entirely.  For example, Daredevil is gritty, dark, and full of deep character drama.  It features a storyline heavy on personal demons, character flaws, and a villain who isn’t just a shell full of evil intentions.  It’s about Matthew Murdock, a lawyer who moonlights as a vigilante fighting what often feels like a losing battle against a massive criminal underworld.  It’s one of the best things to come out of Marvel in a long time and I highly recommend it to anyone who likes a dark tone to their stories.

The problem is, like I said, that the show’s tone feels so counter-intuitive to the rest of Marvel’s lineup.  This wouldn’t necessarily be a bad thing if you could just ignore its connection to the larger universe, but the show prods you every now and then, forcibly reminding you that it is indeed part of the MCU.

In the very first episode of Daredevil, an event only referred to as “the incident” is referenced multiple times.  If you’re a Marvel fan, you’ll likely connect the dots and understand that they’re referring to the first Avengers movies, where an alien portal was opened and an extra-terrestrial army wreaked havoc on New York.  But the event is described in such vague terms that, as one article I read a while ago put it, it’s not unfair to assume that some people might think they’re talking about 9/11.  Not only that, but early on in the show Daredevil is rescued by a nurse after a failed attempt to save a kidnapped boy.  She becomes the first person in the show to know his true identity as Matthew Murdock.  Later on, Matt takes her to his apartment in an effort to keep her safe.  While there, she cracks a joke about how she was hoping he was a billionaire playboy, which is an obvious reference to Tony Stark/Iron Man.

And that’s where my problem is.  If I take Daredevil to be a larger part of the Marvel universe, which they so clearly want me to, how can I take Murdock’s struggles seriously?  He lives in a world with green rage monsters and super-powered super soldiers.  All of his fights could be resolved simply by Iron Man flying over and dropping a few bombs.  And what makes this even more ridiculous is that Daredevil takes place in the same city that Iron Man lives in!  So where is he during all this time?  For that matter, where is the rest of the Avengers team?  Does no one give a crap about Daredevil’s part of the city?  I find that hard to believe, especially after the massive series of explosions that rock the city around episodes five and six.  You’d think at least one of them would show up and be like “hey guys, what’s going on here?”

If you could just ignore this and watch the show as a self-contained piece of work, that would be one thing and it would be fine.  But Marvel seems intent on insisting that everything connects and it wants you to be aware of it.  I mean, how are the Netflix Marvel heroes supposed to stand up to the ones from the films?  Daredevil has super-human senses and an awesome fighting ability for sure, but Thor is a freaking god.

A GOD for crying out loud.

The comparison just doesn’t add up, and I have no idea how Marvel is going to handle that.  Who knows?  Maybe they’ll prove me wrong.  Maybe they’ll find some ingenious way of tying it all together.  But at the moment, I can’t help but feel their obsession with this inter-connectivity may end up proving to be their downfall.  Only time will tell I suppose.

 

Thanks for reading!  Check back next Wednesday for another post, and as always, have a wonderful week.

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