‘Tis the season of ghosts and ghouls, spooks and scares. The air carries a chill and the leaves are falling. Halloween is just around the bend and it’s the time to celebrate all things scary.
I’ve talked a lot about my affinity for everything horror in the past on this blog, but it’s been very scattershot and all over the place. So this time I’d like to just sit down and focus entirely on it and explain what, in my opinion, makes for effective horror.
If you’ve followed my blog long enough, you know that I’ve made it no secret my disappointment with the state of horror when it comes to Hollywood movies. So many of them are just loud and annoying, filled to the brim with cheap scares. When I reviewed “Blair Witch” back in 2016, I mentioned how it seemed to be everything the original movie wasn’t: obnoxious and full of quick, cheap jumpscares. Instead of the slow-paced, tension focused build up of the original, we got a movie that was so lazy it even has one of the characters mutter “stop doing that” after it pulls a double jumpscare. There were some genuinely creepy moments, but they weren’t allowed to leave a lasting mark as the next loud, obnoxious thing popping up in front of the camera wasn’t far away.
And when I see trailers for The Conjuring 15 or Insidious Chapter 257, all I see is a lot more of the same: jumpscares and demons. Ooh you’re really breaking new ground there guys.
To me, for horror to be effective, it needs to be allowed to sit for a while. There needs to be a kind of atmosphere to it, something that slowly unsettles and winds you up so that when the metaphorical shoe inevitably drops, it has more of an impact. Most big budget horror movies these days rely on loud, quick scares as a crutch. And sure, some of them might be scary in the moment, but they’re not memorable. There’s a reason people still talk about movies like “The Exorcist” and “Halloween” but nobody is going to remember the 2016 “Blair Witch” or any of the “Insidious” movies once enough time passes.
Why do you think they keep producing sequel after sequel? Because they know that a horror movie’s time is short-lived. If they can keep pumping out more movies, they can keep it in the public consciousness for longer and make more money.
It’s the same thing with video games. “Five Nights at Freddy’s” may have been a huge hit, but part of its lasting popularity has to do with the quick turnaround in games. The first game hit in August of 2014. The second game hit in November…of 2014. The third game dropped in March of 2015 and…you get the idea. Part of the quick turnaround had to do with how the games were designed, but whether intentional or not, this quick turnaround is what led to its staying power.
But while the fans go ape over the deliberately obscure story or make weird fan porn of the characters (don’t go looking for it…seriously…there isn’t enough bleach in the world to wipe your eyes clean after that), no one really talks about the actual gameplay itself anymore, which boils down to a trial and error waiting game. And if you fail? BLARG! Jumpscare.
Compare that then to a game like “Amnesia: The Dark Descent”, which still ranks as one of my top scariest games of all time. In that game you don’t even see a monster for the first hour or so. Instead, much of the time is spent wandering around a castle gleaming clues as to why you’re there in the first place. By the time the game draws back the curtain and sends something shrieking after you, the atmosphere has settled in and you’ve been drawn in enough to make the appearance more startling than it would be if there was a monster right behind the first door you encounter. Even that developer’s earlier “Penumbra” series of games utilized the power of tension and atmosphere, choosing to build up suspense before throwing something at the player.
Despite all that I’ve said, jumpscares aren’t a bad thing. It’s just that, by themselves, jumpscares aren’t necessarily creepy or scary.
I get it, it’s far easier to Google search “scary faces”, grab a stock scream sound effect and crank the decibels up until you’re not certain if that ringing in your ears was always there or not. But if your intent is to create something that is truly lasting, something that will make someone afraid of the dark for a few days or a week after they’ve finished with it, you need more than just loud noises. You need ambiance. You need suspense. You need lighting. But most importantly, you need to ground it in some way. You can have all the jumpscares and mood lighting in the world, but if your audience/player base can’t buy into the scenario you’ve crafted, you’ll have lost them long before you reveal what goes bump in the night.
Thanks for reading! Check back on the third Wednesday of next month, and have a great Halloween!